Sunday, March 29, 2020
Grateful Dead - 1990-03-29 - Nassau Coliseum - Uniondale NY
LINK
Grateful Dead
March 29, 1990 - Nassau Coliseum - Uniondale NY
First set:
"Jack Straw" (Bob Weir, Robert Hunter) – 6:15
"Bertha" (Jerry Garcia, Hunter) – 6:59
"We Can Run" (Brent Mydland, John Barlow) – 6:04
"Ramble On Rose" (Garcia, Hunter) – 8:08
"When I Paint My Masterpiece" (Bob Dylan) – 6:02
"Bird Song" (Garcia, Hunter) – 13:05[a]
"Promised Land" (Chuck Berry) – 4:46
Second set:
"Eyes of the World" (Garcia, Hunter) – 16:33[b]
"Estimated Prophet" (Weir, Barlow) – 14:47
"Dark Star" (Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Ron McKernan, Weir, Hunter) – 18:19
"Drums" (Hart, Kreutzmann) – 10:22
"Space" (Garcia, Lesh, Weir) – 7:53[c]
"Dark Star" (Garcia, Hart, Kreutzmann, Lesh, McKernan, Weir, Hunter) – 2:46
"The Wheel" (Garcia, Hunter, Kreutzmann) – 4:23
"Throwing Stones" (Weir, Barlow) – 9:25
"Turn On Your Lovelight" (Joseph Scott, Deadric Malone) – 7:41
Encore:
"Knockin' on Heaven's Door" (Dylan) – 8:24
The March 29, 1990 Grateful Dead concert was the first of several to feature Branford Marsalis as a guest musician. In a 2014 interview with Rolling Stone, Marsalis recalled that Dead bassist Phil Lesh had invited him to play with the band for one song.
"I came up for "Bird Song", and after the set was over, I said, 'Thanks for letting me play, guys.' And they're like, 'No, no, stay! Play the second half of the show. We'll do "Dark Star".' That had no significance to me. I'm like, ' "Dark Star"? Okay. What is it?' 'Oh, you're gonna love it. It's free, it's out.' 'Great, I can play out.' They start playing that lick, and the audience goes fucking bananas. Later, I started getting these phone calls on my private number: 'Man, you were great last night. Thanks for getting them to play "Dark Star". They haven't played it in six months.' I'm like, 'Who are these people?'... There was almost nothing [the Grateful Dead] couldn't play—and make the shit sound authentic. When they played a song by The Band or Bob Dylan, they played it with the same spirit as The Band or Dylan. They didn't feel the need to write their own arrangement of it. They were all listeners. There is a point where musicians who establish themselves stop listening to music and start listening to their own rhetoric. The Dead didn't do that. It was obvious in the way they approached a song."
— Branford Marsalis
Saturday, March 21, 2020
GRATEFUL DEAD - June 1976 Box Set
Parte De Un
Part The Second
During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...
But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.
Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.
And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering.
Boston Music Hall, Boston, MA (6/10/76)
Disc 1
1. Promised Land [3:51]
2. Sugaree [9:52]
3. Cassidy [5:00]
4. They Love Each Other [8:29]
5. The Music Never Stopped [5:47]
6. Brown-Eyed Women [5:37]
7. Lazy Lightning> [2:56]
8. Supplication [4:26]
9. Row Jimmy [9:23]
10. Big River [6:28]
11. Mission In The Rain [7:27]
12. Looks Like Rain [9:08]
Disc 2
1. Might As Well [6:11]
2. Samson And Delilah [7:18]
3. Help On The Way> [4:47]
4. Slipknot!> [6:59]
5. Franklin’s Tower [11:17]
6. Let It Grow [11:36]
7. Friend Of The Devil [8:11]
Disc 3
1. Playing In The Band> [14:37]
2. Dancing In The Street> [11:02]
3. U.S. Blues [5:49]
Boston Music Hall, Boston, MA (6/11/76)
Disc 4
1. Might As Well [6:09]
2. Mama Tried [3:24]
3. Tennessee Jed [8:59]
4. Cassidy [5:06]
5. Candyman [8:28]
6. Big River [6:18]
7. Scarlet Begonias [10:16]
8. Looks Like Rain [8:53]
9. It Must Have Been The Roses [7:11]
10. Lazy Lightning> [2:53]
11. Supplication [5:21]
12. Brown-Eyed Women [5:09]
Disc 5
1. Promised Land [3:56]
2. St. Stephen> [9:49]
3. Dancing In The Street> [11:58]
4. The Music Never Stopped [5:42]
5. Ship Of Fools [7:11]
Disc 6
1. Samson And Delilah [7:09]
2. Sugaree [11:05]
3. Sugar Magnolia> [6:04]
4. Eyes Of The World> [13:13]
5. Stella Blue [10:49]
6. Sunshine Daydream [3:29]
7. Johnny B. Goode [4:15]
Beacon Theatre, New York, NY (6/14/76)
Disc 7
1. Cold Rain And Snow [6:49]
2. Mama Tried [3:45]
3. Row Jimmy [10:13]
4. Cassidy [5:08]
5. Brown-Eyed Women [5:26]
6. Big River [6:21]
7. Might As Well [6:00]
8. Lazy Lightning> [2:56]
9. Supplication [4:53]
10. Tennessee Jed [8:57]
Disc 8
1. Playing In The Band> [19:40]
2. The Wheel [6:09]
3. Samson And Delilah [6:36]
4. High Time [9:52]
5. The Music Never Stopped [5:26]
6. Crazy Fingers [11:33]
Disc 9
1. Dancing In The Street> [12:37]
2. Cosmic Charlie [8:47]
3. Help On The Way> [4:55]
4. Slipknot!> [13:00]
5. Franklin’s Tower> [11:03]
6. Around And Around [7:18]
7. U.S. Blues [5:52]
Beacon Theatre, New York, NY (6/15/76)
Disc 10
1. Promised Land [4:26]
2. Sugaree [9:44]
3. Cassidy [4:58]
4. Candyman [7:48]
5. The Music Never Stopped [5:54]
6. It Must Have Been The Roses [7:16]
7. Looks Like Rain [7:06]
8. Tennessee Jed [9:44]
9. Let It Grow> [13:14]
10. Might As Well [5:26]
Disc 11
1. St. Stephen> [11:11]
2. Not Fade Away> [12:15]
3. Stella Blue [13:53]
4. Samson And Delilah [6:25]
5. Friend Of The Devil [8:24]
Disc 12
1. Dancing In The Street> [13:01]
2. The Wheel> [4:44]
3. Sugar Magnolia [6:05]
4. Scarlet Begonias> [4:48]
5. Sunshine Daydream [3:39]
6. Johnny B. Goode [4:12]
Capitol Theatre, Passaic, NJ (6/19/76)
Disc 13
1. Help On The Way> [5:50]
2. Slipknot!> [6:30]
3. Franklin’s Tower> [9:38]
4. The Music Never Stopped [6:05]
5. Brown-Eyed Women [5:27]
6. Cassidy [4:55]
7. They Love Each Other [7:34]
8. Looks Like Rain [8:02]
9. Tennessee Jed [8:29]
Disc 14
1. Playing In The Band [19:14]
2. Might As Well [6:25]
3. Samson And Delilah [7:07]
4. High Time [9:38]
Disc 15
1. Let It Grow> [13:09]
2. Dancing In The Street> [10:20]
3. Cosmic Charlie [9:11]
4. Around And Around> [6:28]
5. Goin’ Down The Road Feeling Bad> [7:16]
6. One More Saturday Night [4:58]
7. Not Fade Away [8:03]
Thursday, March 19, 2020
TREY ANASTASIO - 'Lost In The Pack'
Monday, March 16, 2020
PHISH - 1994-11-12 - MAC Center - Kent OH
LINK
PHISH, SATURDAY 11/12/1994
MAC CENTER, KENT STATE UNIVERSITY
Kent, OH
SET 1: Runaway Jim, Foam, If I Could, Maze, Guyute, Stash, Esther > Chalk Dust Torture
SET 2: Julius, Fluffhead > Down with Disease -> Have Mercy -> Down with Disease[1] -> Lifeboy, Rift, The Old Home Place[2], Nellie Kane[2], Foreplay/Long Time[2], Harry Hood, Golgi Apparatus
ENCORE: Sample in a Jar
[1] Unfinished.
[2] Acoustic.
November 12, 1994 Phish returned to The Buckeye State to play the Memorial Athletic and Convocation Center (aka MAC Center) on the Kent State University campus in Kent, Ohio. The MAC Center is a 1950’s wood-floored gymnasium with a storied music history including performances by Duke Ellington, Pink Floyd, Jethro Tull, Bob Dylan and CSNY. When Phish landed at Kent State in 1994, they were in the midst of a 46-date, nationwide fall tour following the release of their fifth studio album, Hoist. The fall shows were recorded on multitrack for what would become A Live One. Kent State ’94 was a Saturday night – Phish’s first show back after a week off and the first major concert in the newly-renovated MAC Center. Kent State students had voted for Phish in an All Campus Programming Board band survey. Tickets cost $18.00 and the show was sold out.
11/12/94 is well known among fans - another incredible night in the Ohio Phish tradition - based on audience recordings and filler from the 2-track tapes released on 12/1/94 Salem, Oregon LivePhish in 2005. The stereo recordings were good but the Kent State ‘94 multitrack mix delivers a full-immersion trip back to 1994. This show’s highlights began in set I with a classic Runaway Jim/Foam opener and killer Maze, Guyute and Stash before wrapping the set with Esther > Chalk Dust Torture. Set II got underway with a Julius opener followed by a top-notch Fluffhead which led to a molten Down With Disease > Have Mercy > Down With Disease combination that set the stage for decades of wide-open experimental DwD’s to come. Lifeboy followed before a three-song acoustic excursion (including fall’s latest cover, Foreplay/Long Time) that previewed the upcoming midwest bluegrass tutorial with ARU’s Rev. Jeff Mosier. Harry Hood drove the set to another emotional peak before the set-closing Golgi Apparatus and Sample In A Jar encore.
11/12/94 Kent State was recorded by Paul Languedoc to digital multitrack and was mixed/mastered by Jon Altschiller
Monday, February 24, 2020
PHISH - 2020-02-23 - Moon Palace - Riviera Maya MX
LINK
PHISH, SUNDAY 02/23/2020
MOON PALACE
Cancun, Quintana Roo, Mexico
SET 1: Crowd Control, Farmhouse, Breath and Burning, Divided Sky, Meat, Everything's Right, The Squirming Coil, Wingsuit, David Bowie
SET 2: Simple > Golden Age > Fuego > Undermind -> Back on the Train > Passing Through
ENCORE: Rise/Come Together > The Horse > Silent in the Morning, Fee, Funky Bitch, More
This show was webcast via LivePhish. Simple contained an Under Pressure tease and an In-A-Gadda-Da-Vida tease and quote. Undermind contained Manteca and Plasma teases.
PHISH - 2020-02-22 - Moon Palace - Riviera Maya MX
LINK
PHISH, SATURDAY 02/22/2020
MOON PALACE
Cancun, Quintana Roo, Mexico
SET 1: Willin', Tube, Evening Song, Set Your Soul Free, You Sexy Thing > 46 Days, Waste > Your Pet Cat, Tweezer > Manteca > Makisupa Policeman[1] > Twist
SET 2: Energy > Soul Planet > Waves > Carini > Chalk Dust Torture -> Have Mercy > A Life Beyond The Dream, Harry Hood
ENCORE: Sweet Jane > Tweezer Reprise
[1] Played over You Sexy Thing backing music.
This show was webcast via LivePhish. Willin' was performed for the first time since October 31, 2010 (349 show gap) and featured Trey on drums. On stage, Fishman changed from his Jimmy Buffet style beach tuxedo into his mumu after Willin'. Page then teased Hold Your Head Up. Trey teased Dave's Energy Guide in Tweezer. Manteca was performed for the first time since July 19, 2016 (136 show gap) included Tweezer teases from Fish and Trey. Sweet Jane was performed for the first time since July 23, 2017 (100 shows). Makisupa Policeman was played over backing music and quotes of You Sexy Thing. Waves contained Soul Planet quotes.
PHISH - 2020-02-21 - Moon Palace - Riviera Maya MX
FIXED LINK
PHISH, FRIDAY 02/21/2020
MOON PALACE
Cancun, Quintana Roo, Mexico
SET 1: Turtle in the Clouds, Shafty -> Plasma -> Shafty[1] -> Plasma > The Lizards, Bathtub Gin -> Shafty -> Bathtub Gin > Blaze On[2], Sea and Sand, Possum
SET 2: Sigma Oasis > Also Sprach Zarathustra > Drift While You're Sleeping, Lifeboy, I Always Wanted It This Way -> No Men In No Man's Land -> Piper > Good Times Bad Times
ENCORE: Sand -> Weekapaug Groove -> Shafty
[1] Performed over Plasma.
[2] Lyrics changed to "you'll be dancing on the beach."
This show was webcast via LivePhish. Shafty was last played on June 10, 2012 (302 shows) and Sea and Sand on July 20, 1998 (670 shows). The second Shafty was performed over Plasma. Page teased the theme from Speed Racer in The Lizards. Bathtub Gin was dedicated to the people at CID who organized the event and in honor of the fact that everyone had a hot tub in their room. Blaze On's lyrics were changed to "you'll be dancing on the beach." Blaze On also included Plasma teases. Possum contained Shafty teases and ended with a Plasma tease. Trey teased Another One Bites the Dust in Also Sprach Zarathustra. Trey teased L.A. Woman in I Always Wanted It This Way. No Men In No Man's Land included Shafty and Woman from Tokyo teases. Weekapaug Groove contained No Men In No Man's Land quotes as well as a Smoke on the Water tease from Trey.
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