LivePhish Vol. 11-15

LINK (1.99GB)

LivePhish Vol. 11
MONDAY 11/17/1997 MCNICHOLS ARENA Denver, CO

SET 1: Tweezer, Reba[1], Train Song, Ghost > Fire

SET 2: Down with Disease[2] -> Olivia's Pool > Johnny B. Goode -> Jesus Just Left Chicago, When the Circus Comes, You Enjoy Myself

ENCORE: Character Zero

FILLER: (11/19/1997 Assembly Hall, Champaign IL) Wolfman's Brother>Makisupa Policeman

[1] No whistling.
[2] Unfinished.

Reba did not have the whistling ending and Disease was unfinished. Ghost included a Super Bad (James Brown) tease and Johnny B. Goode contained DEG teases. This show was officially released as Live Phish 11.

LivePhish Vol. 12
TUESDAY 08/13/1996 DEER CREEK MUSIC CENTER Noblesville, IN

SET 1: Divided Sky, Tube, Tela > Maze, Fast Enough for You > The Old Home Place, Punch You in the Eye, Llama, Glide, Slave to the Traffic Light

SET 2: AC/DC Bag > The Lizards, Mike's Song > Lifeboy > Weekapaug Groove -> Somewhere Over the Rainbow[1], Waste[2], Train Song[2], Strange Design[2], Sweet Adeline, David Bowie

ENCORE: Sleeping Monkey > Rocky Top

FILLER (8/12/1996 Deer Creek Music Center, Noblesville IN): Ya Mar>Split Open and Melt

[1] Performed solo by Page on theremin.
[2] Performed on acoustic mini-stage.

Page performed Somewhere Over the Rainbow solo on the theremin. Waste through Strange Design were performed on the acoustic mini-stage. Trey played the composed section to Divided Sky over the soundcheck jam. This show was officially released as Live Phish 12.

LivePhish Vol. 13
MONDAY 10/31/1994 GLENS FALLS CIVIC CENTER Glens Falls, NY

SET 1: Frankenstein, Sparkle > Simple > Divided Sky, Harpua -> The Vibration of Life -> Harpua[1], Julius > The Horse > Silent in the Morning > Reba, Golgi Apparatus

SET 2: Back in the U.S.S.R.[2] > Dear Prudence[2], Glass Onion[3] > Ob-La-Di, Ob-La-Da[2], Wild Honey Pie[2], The Continuing Story of Bungalow Bill[2], While My Guitar Gently Weeps[2], Happiness Is a Warm Gun[2], Martha My Dear[2], I'm So Tired[2], Blackbird[2], Piggies, Rocky Raccoon[2] > Don't Pass Me By[2], Why Don't We Do It in the Road?[2], I Will[2], Julia[2], Birthday[4], Yer Blues[2], Mother Nature's Son[2], Everybody's Got Something to Hide Except Me and My Monkey[2], Sexy Sadie[2], Helter Skelter[5], Long Long Long[2], Revolution 1[2], Honey Pie[6], Savoy Truffle[2], Cry Baby Cry[7] -> Revolution 9[8]

SET 3: David Bowie, Bouncing Around the Room, Slave to the Traffic Light > Rift > Sleeping Monkey > Poor Heart, Run Like an Antelope

ENCORE: Amazing Grace, Costume Contest, The Squirming Coil

[1] Vibration of Death; "The Vibration of Death is gone" replaced the usual "The storm is gone."
[2] Phish debut.
[3] Phish debut; lyrics changed to "I told you 'bout Guyute the pig."
[4] Phish debut; instrumental.
[5] Phish debut; ended with band singing "I've got blisters on my fingers" a cappella to the tune of Back In My Hometown.
[6] Phish debut; lyrics changed to reference "Cactus."
[7] Phish debut. Fish on vacuum.
[8] Phish debut. He Ent to the Bog was played on a tape in the background. Fish on vacuum.

Harpua included the Vibrations of Life and Death. Jimmy decided to put on his favorite album Barney's Greatest Hits, but turned his turntable on the wrong way and started playing it backwards. Fish then proceeded to sing a verse of War Pigs. Trey subsequently quoted I Love You (a.k.a. the theme to Barney & Friends) before Harpua resumed. Poster was swallowed up into the earth by the Vibration of Death. "The Vibration of Death is gone" replaced the usual "The storm is gone." Prior to the Vibration of Life, Wilson was teased and quoted. A Pink Floyd Dark Side of the Moon tease (the heartbeats from Speak to Me) was pumped through the P.A. at the beginning of the second set. The second set "musical costume" was The Beatles' The Beatles (also known as The White Album) and was selected via fan vote. All of the White Album songs, other than Piggies, were Phish debuts, although Ob La Di, Ob La Da had been jammed or teased on many occasions. Glass Onion's lyrics were changed to "I told you 'bout Guyute the pig." Piggies was played for the first time since November 14, 1985 (875 shows). HYHU was teased prior to Why Don't We Do It in the Road. Birthday wasn’t sung; Page and Mike noodled a bit while Fish presented a birthday cake to Brad Sands, who accepted it while wearing a Jon Fishman dress. Helter Skelter ended with the band singing "I've got blisters on my fingers" a cappella to the tune of Back In My Hometown. Honey Pie's lyrics were changed to reference "Cactus." Cry Baby Cry ended with Fish on vacuum with Revolution 9 segueing out of the vacuum solo. The background tape playing along with Revolution 9 was Mike’s composition He Ent to the Bog from Phish’s White Tape. The song ended with Fish stark naked and running around while the band blew bubbles and waved. Good Night was taped from the album and closed the second set. The third set began with a Custard Pie tease from Trey and an Overture tease from Page, while Bowie contained a Gilligan's Island theme tease from Mike and Antelope's intro contained a Stash tease from Trey. The Costume Contest contained a "Charge!" tease from Page. This show was officially released as Live Phish 13. The soundcheck's Jam was released as an iTunes bonus track called "Glen Falls Soundcheck Jam" and contained a Frankenstein tease from Mike and a May The Force Be With You (The Force Theme from Star Wars) tease from Trey. The Poor Heart and Dog Log in the soundcheck were slow versions.

LivePhish Vol. 14
TUESDAY 10/31/1995 ROSEMONT HORIZON Rosemont, IL

SET 1: Icculus, Divided Sky, Wilson > Ya Mar, Sparkle > Free, Guyute, Run Like an Antelope, Harpua[1]

SET 2: I Am the Sea[2], The Real Me[2] > Quadrophenia[2], Cut My Hair[2], The Punk Meets the Godfather[2], I'm One[2], The Dirty Jobs[2] > Helpless Dancer[2], Is It In My Head?[2], I've Had Enough[2], 5:15[2], Sea and Sand[2], Drowned[2], Bell Boy[3], Doctor Jimmy[2] > The Rock[2], Love, Reign O'er Me[2]

SET 3: You Enjoy Myself, Jesus Just Left Chicago[4], A Day in the Life > Suzy Greenberg[5]

ENCORE: My Generation[6]

[1] Narration from Mike about raccoons.
[2] Phish debut; Dave Grippo on alto saxophone, Don Glasgo on trombone, Joey Sommerville on trumpet and Alan Parshley on French horn.
[3] Phish debut; Dave Grippo on alto saxophone, Don Glasgo on trombone, Joey Sommerville on trumpet and Alan Parshley on French horn, Leigh Fordham sang Keith Moon's original part.
[4] Dave Grippo on alto saxophone.
[5] Dave Grippo on alto saxophone, Don Glasgo on trombone, and Joey Sommerville on trumpet.
[6] Phish debut; acoustic.

Harpua included a story from Mike about a dream about raccoons. The Michael Jackson references continued, as Trey teased the audience by saying that Jimmy was listening to the Halloween album while the band played a Beat It tease. Also, the second set was preceded by recorded Wanna Be Startin' Somethin' and Thriller teases from Michael Jackson's Thriller album. The second set "musical costume" was The Who's Quadrophenia and was performed with Dave Grippo on alto saxophone, Don Glasgo on trombone, Joey Sommerville on trumpet and Alan Parshley on French horn. During Bell Boy, crew member Leigh Fordham, clad in a bell boy outfit, sang Keith Moon’s original part. All of the Quadrophenia songs, as well as My Generation, were Phish debuts. YEM was almost 40 minutes long, contained teases from Trey of The Real Me and DEG, and was preceded by the audience chess move. The chosen fan, dressed as a Wookiee, cracked under the pressure and could not choose a move on stage, prompting a quote from Fish that “Wookiees can’t play chess.” The Rock was teased after the failed move. Jesus Just Left Chicago featured Grippo on alto saxophone; Suzy Greenberg featured Grippo, Glasgo and Somerville. My Generation was performed acoustic. Before My Generation, the crew set up a Keith Moon replica drum set on stage. After the song, Fish and Trey destroyed the drum set a la The Who. Finally, a stagehand brought out a large plunger. Trey pressed it and set off a huge explosion backstage. This show was officially released as Live Phish 14. In the soundcheck, Suzy Greenberg was performed three times: the first with only Grippo, the second with the band and Grippo, and the third with all of the horns, alternate lyrics, and Bell Boy quotes. The jam through the end of the soundcheck was played with horns.

LivePhish Vol. 15
THURSDAY 10/31/1996 THE OMNI Atlanta, GA

SET 1: Sanity > Highway to Hell > Down with Disease > You Enjoy Myself, Prince Caspian > Reba, Colonel Forbin's Ascent > Fly Famous Mockingbird[1] > Character Zero, The Star Spangled Banner

SET 2: Born Under Punches (The Heat Goes On)[2] > Crosseyed and Painless[2], The Great Curve[2], Once in a Lifetime[2] > Houses in Motion[2] -> Seen and Not Seen[3] -> Listening Wind[2] > The Overload[2]

SET 3: Brother[4], Also Sprach Zarathustra[4] > Maze[4], Simple[4] -> Swept Away[4] > Steep[4] > Jesus Just Left Chicago[5] > Suzy Greenberg[5]

ENCORE: Frankenstein[6]

[1] Narration referred to David Byrne, who appeared in the mountain as the face of Icculus, threw Forbin off the mountain and into the arms of the "evil" Famous Mockingbird.
[2] Phish debut; Karl Perazzo on percussion, Dave Grippo on saxophone, and Gary Gazaway on trumpet.
[3] Phish debut; Karl Perazzo on percussion, Dave Grippo on saxophone, Gary Gazaway on trumpet, and Trey on bass.
[4] Karl Perazzo on percussion.
[5] Karl Perazzo on percussion, Dave Grippo on saxophone, Gary Gazaway on trumpet.
[6] Dave Grippo on saxophone, Gary Gazaway on trumpet.

Trey teased Dave's Energy Guide in DWD. The Mockingbird narration included a reference to Talking Heads’ David Byrne, who appeared in the mountain as the face of Icculus. As Trey told the story, Byrne threw Colonel Forbin off the mountain and into the arms of the “evil” Famous Mockingbird. The second set "musical costume" was Talking Heads' Remain in Light. All of the Remain in Light songs were Phish debuts; the set featured Karl Perazzo on percussion, Dave Grippo on saxophone, and Gary Gazaway on trumpet. Perazzo also played during the entire third set. Jesus Just Left Chicago, Suzy Greenberg, and Frankenstein also featured Grippo and Gazaway. At the end of Houses in Motion (which featured Trey teasing Tweezer), an armchair was brought out to the center of the stage and Mike sat in it to sing Seen and Not Seen. While he sang, Karl Perazzo drummed and Trey played bass. After Overload, a bizarre on-stage demonstration closed the set. The third set opened with a Feel Like a Stranger tease. Suzy included a Born Under Punches tease from Page. Simple included a tease of Mama Told Me Not to Come. The soundcheck's Overload was performed with horns and briefly featured Fish on vacuum. This show was officially released as Live Phish 15.

LivePhish Vol. 6-10

LINK (1.61GB)

LivePhish Vol. 6
PHISH, FRIDAY 11/27/1998
WORCESTER CENTRUM CENTRE
Worcester, MA

SET 1: Funky Bitch, Ya Mar, Carini[1], Runaway Jim, Meat > Reba, The Old Home Place, Dogs Stole Things, Vultures, When the Circus Comes, Birds of a Feather

SET 2: Buried Alive > Wipe Out > Chalk Dust Torture -> Mirror in the Bathroom[2] -> Chalk Dust Torture -> Dog Log[3] -> Chalk Dust Torture > Sanity > Buffalo Bill > Mike's Song -> I Am Hydrogen > Weekapaug Groove -> Wipe Out -> Weekapaug Groove > Weekapaug Groove Reprise > Run Like an Antelope

ENCORE: Wading in the Velvet Sea, Golgi Apparatus > Wipe Out

[1] Alternate lyrics referencing a streaker.
[2] Phish debut.
[3] Unfinished; Blues version.

Ya Mar contained I Dream of Jeannie theme teases from Mike. Carini included lyrics about the streaker from three weeks earlier. Mirror in the Bathroom (which was subtly teased by Mike in Chalk Dust Torture) made its Phish debut and Wipe Out was played for the first time since April 27, 1991 (722 shows). Chalk Dust included more Wipe Out teases. Dog Log was unfinished and sung over a more bluesy progression than usual. Weekapaug contained a Nellie Kane tease from Trey. Some funny banter ensued during the encore, as Fish and Trey took verbal jabs at each other. The soundcheck's Back at the Chicken Shack contained a Layla tease from Trey. This show was officially released as Live Phish 06.

LivePhish Vol. 7
Saturday August 14, 1993, World Music Theatre, Tinley Park IL

Disc one/Set one:
"Chalk Dust Torture" (Anastasio, Marshall) - 6:16
"Guelah Papyrus" (Anastasio, Marshall) - 6:07
"The Divided Sky" (Anastasio) - 15:01
"The Horse" (Anastasio, Marshall) - 2:06
"Silent in the Morning" (Anastasio, Marshall) - 4:51
"It's Ice" (Anastasio, Marshall) - 9:01
"Sparkle" (Anastasio, Marshall) - 3:46
"Split Open and Melt" (Anastasio) - 12:35
"Esther" (Anastasio) - 8:42
"Poor Heart" (Gordon) - 3:02
"Cavern" (Anastasio, Herman, Marshall) - 4:30

Disc two/Set two:
"2001" (Deodato) - 4:20
"Run Like an Antelope" (Anastasio, Marshall, Pollak) - 12:50
"Sparks" (Townshend) - 2:39
"Walk Away" (Walsh) - 3:37
"Tinley Park Jam" - 4:21
"Run Like an Antelope" (Anastasio, Marshall, Pollak) - 2:14
"Have Mercy" (Ferguson, Shaw, Simpson) - 3:05
"Run Like an Antelope" (Anastasio, Marshall, Pollak) - 2:00
"Mound" (Gordon) - 5:44
"The Squirming Coil" (Anastasio, Marshall) - 9:53
"Daniel Saw the Stone" (Traditional) - 3:20

Disc three/Set two, continued:
"You Enjoy Myself" (Anastasio) - 20:16
"Purple Rain" (Prince) - 6:52
"Golgi Apparatus" (Anastasio, Marshall, Szuter, Woolf) - 5:42
Encore:
"La Grange" (Beard, Gibbons, Hill) - 4:58
Filler (August 11, 1993, Club Eastbrook, Grand Rapids, Michigan):
"Mike's Song" (Gordon) - 12:19
"The Great Gig in the Sky" (Torry, Wright) - 5:27
"Weekapaug Groove" (Anastasio, Fishman, Gordon, McConnell) - 11:57

The Horse featured Trey on acoustic guitar. It's Ice contained a Dance of the Sugar Plum Fairy tease from Page and Melt contained Miss You and Linus and Lucy teases from Mike. 2001 included a Mona Lisa tease from Mike. Antelope included a Dixie tease; the “Rye, Rye Rocco” lyrics were sung over the Have Mercy melody before the band kicked back into the Antelope ending. During Daniel Saw the Stone, Trey updated the crowd on the score of a pre-season football game. YEM contained brief jams based on the theme from Speed Racer, Smoke on the Water, and quoting of Mystery Achievement (Pretenders). On Broadway was briefly quoted during the YEM vocal jam. This show was officially released as Live Phish 07.

LivePhish Vol. 8
PHISH, SATURDAY 07/10/1999 E CENTRE Camden, NJ

SET 1: Wilson > Chalk Dust Torture[1] -> Roggae, Water in the Sky > Back at the Chicken Shack, Sparkle > Bathtub Gin, Golgi Apparatus

SET 2: Tweezer > Mountains in the Mist, Birds of a Feather > When the Circus Comes, Fluffhead

ENCORE: While My Guitar Gently Weeps > Tweezer Reprise

[1] Unfinished.

Chalk Dust contained an In Memory of Elizabeth Reed tease from Trey and was unfinished. Gin included an I’m a Man (Spencer Davis Group) jam. Tweezer included a What's the Use? tease by Trey. Trey played the show wearing a Mia Hamm soccer jersey (United States, #9). This was likely in honor of the U.S. Women’s Soccer team beating China to win the World Cup earlier in the day. This show was officially released as Live Phish 08.

LivePhish Vol. 9
SATURDAY 08/26/1989 TOWNSHEND FAMILY PARK Townshend, VT

SET 1: Fluffhead, Colonel Forbin's Ascent > Fly Famous Mockingbird, Harry Hood, Split Open and Melt, Divided Sky, You Enjoy Myself -> Possum

SET 2: The Fishin' Hole > Bold As Love, Ya Mar, Slave to the Traffic Light, AC/DC Bag, Donna Lee, Funky Bitch > Foam, David Bowie

SET 3: The Man Who Stepped Into Yesterday > Avenu Malkenu, Suzy Greenberg, Dinner and a Movie, Run Like an Antelope

ENCORE: Contact, The Lizards, La Grange


Apparently Fish got a speeding ticket on the way to the show and someone else had to set up his drum set. The Hood intro featured an Odd Couple theme tease from Page. The Fishin' Hole (aka The Andy Griffith Show theme) started with the band whistling and ended with the audience whistling to the band’s accompaniment! Slave was introduced by Mike as being written by Pete Rose; Avenu Malkenu was subsequently announced as a song written by “Pete Rose and God.” Donna Lee contained an Entrance of the Gladiators tease from Trey, the Bowie intro contained If I Were a Rich Man teases, and Antelope included a Paint it Black tease. This show was officially released as Live Phish 09.

LivePhish Vol. 10
WEDNESDAY 06/22/1994 VETERANS MEMORIAL AUDITORIUM Columbus, OH

SET 1: Llama, Guelah Papyrus, Rift > Gumbo > Maze, If I Could > Scent of a Mule, Stash, Golgi Apparatus

SET 2: Also Sprach Zarathustra > Mike's Song > Simple -> Midnight Rider Jam -> Catapult[1] -> Simple -> Icculus, Simple -> Mike's Song > I Am Hydrogen > Weekapaug Groove[2] -> The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Digital Delay Loop Jam > Fluffhead, My Sweet One[3], Big Ball Jam > Jesus Just Left Chicago > Sample in a Jar

ENCORE: Carolina[4], Cavern
FILLER (June 24, 1994, Murat Theater, Indianapolis, Indiana): Demand, Run Like An Antelope

[1] Sung over the Midnight Rider jam.
[2] Unfinished.
[3] Acoustic; without microphones.
[4] Without microphones.

My Sweet One was performed acoustic and, along with Carolina, without microphones. Catapult was sung over the Midnight Rider jam. Icculus was played for the first time since March 25, 1993 (128 shows). Weekapaug was unfinished. Cavern contained a Voodoo Child (Slight Return) tease. This show was officially released as Live Phish 10. The soundcheck's The Wedge Jam was released as an iTunes bonus track called "Columbus Soundcheck Jam."

LivePhish Vol. 1-5

LINK (1.38GB)

LivePhish Vol. 1
Thursday, 12/14/1995 Broome County Arena, Binghamton, NY

SET 1: Suzy Greenberg > Llama, Horn > Foam, Makisupa Policeman > Split Open and Melt, Tela, Taste That Surrounds, My Sweet One, Frankenstein

SET 2: The Curtain > Tweezer -> Timber (Jerry) -> Tweezer -> Keyboard Army, Halley's Comet -> NICU -> Slave to the Traffic Light

ENCORE: Bold As Love

Notes: The jam into Timber included a Slipknot! tease. Bold As Love was played for a fan up front with a sign requesting it. A humorous scene ensued when another fan got excited, as if Trey was referring to his Brother sign. Trey remarked that when fans bring signs, it has to be for a song the band wants to play.

LivePhish Vol.2
Saturday, 16 July 1994 Summer Stage at Sugarbush, North Fayston, VT

SET 1: Golgi Apparatus > Down with Disease -> NO2 > Stash, The Lizards, Cavern > The Horse > Silent in the Morning > Maze > Sparkle > Sample in a Jar

SET 2: Run Like an Antelope -> Catapult -> Run Like an Antelope, Harpua -> 2001 > Harpua > AC/DC Bag > Scent of a Mule, Harry Hood, Contact > Chalk Dust Torture

ENCORE: Suzy Greenberg

Notes: Golgi was preceded by an a cappella line of Back in My Hometown. Down With Disease was unfinished. NO2 featured Fishman on vacuum. Harpua included a narration about the comet that crashed into Jupiter. Antelope included a Simpsons signal and Trey running around the stage with a megaphone. Catapult saw Fishman take a verbal jab at Trey and his upcoming wedding before quickly recanting. Chalk Dust included a Barracuda tease.

LivePhish Vol. 3
Thursday, 14 September 2000 Darien Lake Performing Arts Center, Darien Center, NY

SET 1: Punch You In the Eye > Reba, Albuquerque, Carini, The Oh Kee Pa Ceremony > Suzy Greenberg > Jam

SET 2: Drowned > Crosseyed and Painless > Dog Faced Boy, Prince Caspian > Loving Cup

ENCORE: Driver, The Inlaw Josie Wales, Sample in a Jar

Notes: Reba did not have the whistling ending.

LivePhish Vol.4
WEDNESDAY 06/14/2000 DRUM LOGOS Chuo-ku, Fukuoka, Japan

SET 1: Carini, The Curtain > Cities[1], Gumbo -> Llama, Fee, Heavy Things, Split Open and Melt

SET 2: Back on the Train, Twist > Jam -> Walk Away -> Also Sprach Zarathustra

ENCORE: Sleep, The Squirming Coil

[1] Trey altered the lyrics in Cities to reference noodles.

Trey altered the lyrics in Cities to reference noodles. Gumbo contained a Mystery Achievement tease from Mike. Fee included a tease of the Oriental Riff from Fish, who played it on the woodblock during one of his breaks. Trey teased Streets of Cairo in Split Open and Melt. The jam between Twist and Walk Away included a segment based on the intro to Ghost. Sleep was played by request. This show was officially released as Live Phish 04. The soundcheck's Funky Bitch contained Spanish Moon teases from Mike.

LivePhish Vol.5
SATURDAY 07/08/2000 ALPINE VALLEY MUSIC THEATRE East Troy, WI
SET 1: Punch You in the Eye > NICU > My Soul, Poor Heart, Wolfman's Brother, First Tube, Llama, Guyute, Run Like an Antelope

SET 2: Heavy Things > Piper -> Rock and Roll, Tweezer -> Walk Away, Twist, The Horse > Silent in the Morning, Possum

ENCORE: Suzy Greenberg[1] > Tweezer Reprise

[1] The band skipped the second verse.

Antelope included Yakety Sax and Jibboo teases. The band skipped the second verse of Suzy. This show was officially released as Live Phish 05.

Grateful Dead - 1990-03-29 - Nassau Coliseum - Uniondale NY

LINK

Grateful Dead
March 29, 1990 - Nassau Coliseum - Uniondale NY

First set:
"Jack Straw" (Bob Weir, Robert Hunter) – 6:15
"Bertha" (Jerry Garcia, Hunter) – 6:59
"We Can Run" (Brent Mydland, John Barlow) – 6:04
"Ramble On Rose" (Garcia, Hunter) – 8:08
"When I Paint My Masterpiece" (Bob Dylan) – 6:02
"Bird Song" (Garcia, Hunter) – 13:05[a]
"Promised Land" (Chuck Berry) – 4:46

Second set:
"Eyes of the World" (Garcia, Hunter) – 16:33[b]
"Estimated Prophet" (Weir, Barlow) – 14:47
"Dark Star" (Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Ron McKernan, Weir, Hunter) – 18:19
"Drums" (Hart, Kreutzmann) – 10:22
"Space" (Garcia, Lesh, Weir) – 7:53[c]
"Dark Star" (Garcia, Hart, Kreutzmann, Lesh, McKernan, Weir, Hunter) – 2:46
"The Wheel" (Garcia, Hunter, Kreutzmann) – 4:23
"Throwing Stones" (Weir, Barlow) – 9:25
"Turn On Your Lovelight" (Joseph Scott, Deadric Malone) – 7:41
Encore:
"Knockin' on Heaven's Door" (Dylan) – 8:24

The March 29, 1990 Grateful Dead concert was the first of several to feature Branford Marsalis as a guest musician. In a 2014 interview with Rolling Stone, Marsalis recalled that Dead bassist Phil Lesh had invited him to play with the band for one song.

"I came up for "Bird Song", and after the set was over, I said, 'Thanks for letting me play, guys.' And they're like, 'No, no, stay! Play the second half of the show. We'll do "Dark Star".' That had no significance to me. I'm like, ' "Dark Star"? Okay. What is it?' 'Oh, you're gonna love it. It's free, it's out.' 'Great, I can play out.' They start playing that lick, and the audience goes fucking bananas. Later, I started getting these phone calls on my private number: 'Man, you were great last night. Thanks for getting them to play "Dark Star". They haven't played it in six months.' I'm like, 'Who are these people?'... There was almost nothing [the Grateful Dead] couldn't play—and make the shit sound authentic. When they played a song by The Band or Bob Dylan, they played it with the same spirit as The Band or Dylan. They didn't feel the need to write their own arrangement of it. They were all listeners. There is a point where musicians who establish themselves stop listening to music and start listening to their own rhetoric. The Dead didn't do that. It was obvious in the way they approached a song."

— Branford Marsalis

GRATEFUL DEAD - June 1976 Box Set

Parte De Un

Part The Second


During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...
But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.
Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.
And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering.

Boston Music Hall, Boston, MA (6/10/76)
Disc 1
            1.         Promised Land            [3:51]
            2.         Sugaree           [9:52]
            3.         Cassidy            [5:00]
            4.         They Love Each Other [8:29]
            5.         The Music Never Stopped      [5:47]
            6.         Brown-Eyed Women  [5:37]
            7.         Lazy Lightning>           [2:56]
            8.         Supplication    [4:26]
            9.         Row Jimmy     [9:23]
            10.       Big River          [6:28]
            11.       Mission In The Rain    [7:27]
            12.       Looks Like Rain           [9:08]
Disc 2
            1.         Might As Well [6:11]
            2.         Samson And Delilah    [7:18]
            3.         Help On The Way>      [4:47]
            4.         Slipknot!>        [6:59]
            5.         Franklin’s Tower         [11:17]
            6.         Let It Grow      [11:36]
            7.         Friend Of The Devil     [8:11]
Disc 3
            1.         Playing In The Band>  [14:37]
            2.         Dancing In The Street>           [11:02]
            3.         U.S. Blues        [5:49]

Boston Music Hall, Boston, MA (6/11/76)
Disc 4
            1.         Might As Well [6:09]
            2.         Mama Tried    [3:24]
            3.         Tennessee Jed [8:59]
            4.         Cassidy            [5:06]
            5.         Candyman       [8:28]
            6.         Big River          [6:18]
            7.         Scarlet Begonias         [10:16]
            8.         Looks Like Rain           [8:53]
            9.         It Must Have Been The Roses [7:11]
            10.       Lazy Lightning>           [2:53]
            11.       Supplication    [5:21]
            12.       Brown-Eyed Women  [5:09]
Disc 5

            1.         Promised Land            [3:56]
            2.         St. Stephen>    [9:49]
            3.         Dancing In The Street>           [11:58]
            4.         The Music Never Stopped      [5:42]
            5.         Ship Of Fools   [7:11]
Disc 6
            1.         Samson And Delilah    [7:09]
            2.         Sugaree           [11:05]
            3.         Sugar Magnolia>         [6:04]
            4.         Eyes Of The World>    [13:13]
            5.         Stella Blue       [10:49]
            6.         Sunshine Daydream    [3:29]
            7.         Johnny B. Goode         [4:15]

Beacon Theatre, New York, NY (6/14/76)
Disc 7
            1.         Cold Rain And Snow   [6:49]
            2.         Mama Tried    [3:45]
            3.         Row Jimmy     [10:13]
            4.         Cassidy            [5:08]
            5.         Brown-Eyed Women  [5:26]
            6.         Big River          [6:21]
            7.         Might As Well [6:00]
            8.         Lazy Lightning>           [2:56]
            9.         Supplication    [4:53]
            10.       Tennessee Jed [8:57]
Disc 8
            1.         Playing In The Band>  [19:40]
            2.         The Wheel      [6:09]
            3.         Samson And Delilah    [6:36]
            4.         High Time       [9:52]
            5.         The Music Never Stopped      [5:26]
            6.         Crazy Fingers  [11:33]
Disc 9
            1.         Dancing In The Street>           [12:37]
            2.         Cosmic Charlie [8:47]
            3.         Help On The Way>      [4:55]
            4.         Slipknot!>        [13:00]
            5.         Franklin’s Tower>       [11:03]
            6.         Around And Around    [7:18]
            7.         U.S. Blues        [5:52]

Beacon Theatre, New York, NY (6/15/76)
Disc 10
            1.         Promised Land            [4:26]
            2.         Sugaree           [9:44]
            3.         Cassidy            [4:58]
            4.         Candyman       [7:48]
            5.         The Music Never Stopped      [5:54]
            6.         It Must Have Been The Roses [7:16]
            7.         Looks Like Rain           [7:06]
            8.         Tennessee Jed [9:44]
            9.         Let It Grow>    [13:14]
            10.       Might As Well [5:26]
Disc 11
            1.         St. Stephen>    [11:11]
            2.         Not Fade Away>         [12:15]
            3.         Stella Blue       [13:53]
            4.         Samson And Delilah    [6:25]
            5.         Friend Of The Devil     [8:24]
Disc 12
            1.         Dancing In The Street>           [13:01]
            2.         The Wheel>    [4:44]
            3.         Sugar Magnolia           [6:05]
            4.         Scarlet Begonias>       [4:48]
            5.         Sunshine Daydream    [3:39]
            6.         Johnny B. Goode         [4:12]

Capitol Theatre, Passaic, NJ (6/19/76)
Disc 13
            1.         Help On The Way>      [5:50]
            2.         Slipknot!>        [6:30]
            3.         Franklin’s Tower>       [9:38]
            4.         The Music Never Stopped      [6:05]
            5.         Brown-Eyed Women  [5:27]
            6.         Cassidy            [4:55]
            7.         They Love Each Other [7:34]
            8.         Looks Like Rain           [8:02]
            9.         Tennessee Jed [8:29]
Disc 14
            1.         Playing In The Band    [19:14]
            2.         Might As Well [6:25]
            3.         Samson And Delilah    [7:07]
            4.         High Time       [9:38]
Disc 15

            1.         Let It Grow>    [13:09]
            2.         Dancing In The Street>           [10:20]
            3.         Cosmic Charlie [9:11]
            4.         Around And Around>  [6:28]
            5.         Goin’ Down The Road Feeling Bad>   [7:16]
            6.         One More Saturday Night      [4:58]
            7.         Not Fade Away           [8:03]

TREY ANASTASIO - 'Lost In The Pack'

m4a

mp3

'Lost In The Pack' - 3:09

Written by Trey Anastasio, Tom Marshall, and Scott Herman
Recorded March 17th, 2020

PHISH - 1994-11-12 - MAC Center - Kent OH

LINK

PHISH, SATURDAY 11/12/1994
MAC CENTER, KENT STATE UNIVERSITY
Kent, OH

SET 1: Runaway Jim, Foam, If I Could, Maze, Guyute, Stash, Esther > Chalk Dust Torture

SET 2: Julius, Fluffhead > Down with Disease -> Have Mercy -> Down with Disease[1] -> Lifeboy, Rift, The Old Home Place[2], Nellie Kane[2], Foreplay/Long Time[2], Harry Hood, Golgi Apparatus

ENCORE: Sample in a Jar

[1] Unfinished.
[2] Acoustic.

November 12, 1994 Phish returned to The Buckeye State to play the Memorial Athletic and Convocation Center (aka MAC Center) on the Kent State University campus in Kent, Ohio. The MAC Center is a 1950’s wood-floored gymnasium with a storied music history including performances by Duke Ellington, Pink Floyd, Jethro Tull, Bob Dylan and CSNY. When Phish landed at Kent State in 1994, they were in the midst of a 46-date, nationwide fall tour following the release of their fifth studio album, Hoist. The fall shows were recorded on multitrack for what would become A Live One. Kent State ’94 was a Saturday night – Phish’s first show back after a week off and the first major concert in the newly-renovated MAC Center. Kent State students had voted for Phish in an All Campus Programming Board band survey. Tickets cost $18.00 and the show was sold out.

11/12/94 is well known among fans - another incredible night in the Ohio Phish tradition - based on audience recordings and filler from the 2-track tapes released on 12/1/94 Salem, Oregon LivePhish in 2005. The stereo recordings were good but the Kent State ‘94 multitrack mix delivers a full-immersion trip back to 1994. This show’s highlights began in set I with a classic Runaway Jim/Foam opener and killer Maze, Guyute and Stash before wrapping the set with Esther > Chalk Dust Torture. Set II got underway with a Julius opener followed by a top-notch Fluffhead which led to a molten Down With Disease > Have Mercy > Down With Disease combination that set the stage for decades of wide-open experimental DwD’s to come. Lifeboy followed before a three-song acoustic excursion (including fall’s latest cover, Foreplay/Long Time) that previewed the upcoming midwest bluegrass tutorial with ARU’s Rev. Jeff Mosier. Harry Hood drove the set to another emotional peak before the set-closing Golgi Apparatus and Sample In A Jar encore.

11/12/94 Kent State was recorded by Paul Languedoc to digital multitrack and was mixed/mastered by Jon Altschiller